Chromatic solfege hand signs5/1/2023 (For an increased challenge, and even greater fluency, try these with scale degrees other than do at the beginning of each bar.Looking for a way to spruce up your room this year? Look no further! The SWEET SHOPPE collection is for you! This set provides you with solfege posters for your room with the Curwen solfege hand signs! I have included diatonic and chromatic signs in both landscape and portrait versions. Practice both with the low tonic at the beginning of each bar and the high tonic at the beginning of each bar. (For an increased challenge, and even greater fluency, try these with scale degrees other than do at the beginning of each bar.)ĭo ti do | do di re | do ri mi | do mi fa | do fi sol | do si la | do li ti | do ti do |ĭo ti do | do li ti | do si la | do fi sol | do mi fa | do ri mi | do di re | do ti do |ĭo ti do | do di re | do re me | do mi fa | do fi sol | do sol le | do la te | do ti do |ĭo ti do | do la te | do sol le | do fi sol | do mi fa | do re me | do di re | do ti do | 4) Incomplete upper neighborsįor each scale degree, sing tonic then the upper neighbor to the scale degree followed by its resolution down by semitone. | re me re | do 3) Incomplete lower neighborsįor each scale degree, sing tonic then the lower neighbor to the scale degree followed by its resolution up by semitone. | te ti te | doĭo ra do | te ti te | le la le |. | re me re | doĭo ra do | re me re | me mi me |. | ti do ti | doĭo ra do | ti do ti | la te la |. Sing a chromatic complete-upper-neighbor figure on each step of an ascending and then descending scale.ĭo ra do | re me re | mi fa mi |. | re di re | do 2) Complete upper neighbors | te la te | doĭo ti do | te la te | le so le |. | re di re | doĭo ti do | re di re | me re me |. | ti li ti | doĭo ti do | ti li ti | la si la |. Sing a chromatic complete-lower-neighbor figure on each step of an ascending and then descending scale.ĭo ti do | re di re | mi ri mi |. Like the melodic sequentials for diatonic solfège syllables, some basic exercises can help build fluidity with chromatic syllables. Thus, we almost always sing fi in melodies, even when descending.)īecause ti and la belong to minor, and because fa is rarely ever chromatically lowered in a tonal context, the descending chromatic syllables in minor are the same as in major. (Note that, while lowered-scale-degree 5 is technically se, functionally that pitch is usually a secondary leading-tone of V. Note that for scale-degrees 3, 6, and 7, these are simply the natural-minor-scale syllables. (Note the use of me not ri, le not si, and te not li in a minor-key context.) Chromatically lowered pitchesĪll scale steps besides do and fa can be lowered chromatically, and these lowered tones replace the vowel of their solfège syllable with “e” or “a.” (Lower pitches take more open mouth formations-ah, eh-while higher pitches take smaller, more closed mouth formations-i.)įollowing is a descending chromatic scale, using the lowered syllables for chromatically altered tones. Thus, an ascending chromatic scale built within a minor-key context would look and sound like the following: For anything left, use the raised pitches for major. Use the major-key syllables for raised scale degrees that belong to the major scale. In a minor key, start with the natural-minor syllables for diatonic pitches. Do becomes di, re becomes ri, and so on.įollowing is an ascending chromatic scale, using these raised syllables for chromatically altered tones. In each case, the vowel of the solfège syllable is changed to “i” to reflect the higher pitch. The other scale degrees- d, re, fa, sol, and la-can all be raised by semitone without reproducing another tone in the scale. As a result, they are not usually chromatically raised. In a major key, mi and ti form a semitone with the pitches above them in the scale. Chromatic solfège syllables and sequentials
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